[HBR] Another HBR Project -- Chapter 5 -- Pictures
[email protected]
[email protected]
Tue, 9 Sep 2003 19:44:28 -0400
Kees wrote:
> Since you are using the 85Khz cans in pairs how is the sound on SSB
> ? AM ? with such a narrow passband or are they stagger tuned ?
Can't say about the sound until it can hear signals -- probably at
least a couple of days, the way things have been going. But the 85
kcs cans (4 total, in 2 pairs) have adjustable coupling. With the
coupling minimum -- basically that works out to critically coupled, I
think -- the 6db passband looks like around 1 kcs. Or maybe a trifle
less. The ARC-5 receivers were to be operated with the coupling at
maximum and for that condition, the manual gives a passband at 6db
of 2.2 kcs. Going from three transformers (as in original sets) to four
should have little effect on that number but should steepen the slope
further out. So if aligned on the nose it should be about ideal for
'congested conditions' SSB reception but a bit narrow for AM.
Stagger-tuning by 1 kcs or so ought to take care of that. The builder
desiring a CW receiver could leave the coupling at minimum.
The coupling adjustment consists of a plastic rod that sticks up
through the center of the can top under those plastic caps. Pull up
for minimum, push down for max. The mechanism isn't very sturdy --
it probably has a useful life of around 50 down-up cycles -- so it's not
suited for operational use. The intent was (I believe) just to simplify
alignment: pull rods up for minimum coupling, peak all trimmers,
push rods down. Loading resistors (to 'kill' the other winding during
alignment) were not practical with these sets due to very poor
access to the underside of the transformers.
> I like the command set plug-in coils from underneath used on the
> front panel, good shielding, small, great plugs. I never saw an
> article suggesting that in QST/CQ/HR.
I don't remember seeing the idea anywhere. However it has a few
'issues' and disadvantages: (1) Not all receivers have enough pins on
the plugs to do the job right. In particular you need to be able to plug
in the trimmer and padder caps as required for each band. That
takes (for example) 5 pins on the oscillator coil -- 2 for each winding
and one extra for a padder cap. It is possible that only the *rare*
ARA receivers have the full set of pins; I haven't studied this. (2)
With the full compliment of pins, the insert/remove force is
considerable. That means the plug bracket in the set must be rigid
and very sturdy and some sort of handhold is required near the coils --
that's the handle below the coils in the front picture. (3) One must
be wary of shock hazards should it be possible to tilt the coils so the
can touches a B+ pin when inserting/removing. (4) Shields must be
firmly grounded -- that's the reason for the brass thumbnuts on each
side of the coils. (5) I can't think of a clean way to actually put
trimmers inside those cans. Accordingly I plan to optimize them by
selecting fixed capacitors -- this can be done with the caps outside
the coil can, then installing them inside the can so they get changed
with the coil. A panel trimmer on the oscillator will allow calibration --
that's the 'SET' knob, to the right of the tuning knob.
I think it's a novel and somewhat appealing idea but I wouldn't be
ready to recommend it as a *good* idea!
Ah -- I do have an idea for trimmers! When using a toroid, there'd be
plenty of room to make a small trimmer adjustable through a hole in
the bottom of the can. But I'll probably try the set and forget
approach first.
I'm going to be very interested in seeing how the warm up drift (and
operational stability) turns out. On the one hand, things are pretty
spread around, some of the oscillator parts are above the chassis,
some below, some leads are pretty long, the coil mounting and plug
structure can expand/contract -- all unfavorable. On the other,
though, the main heat sources are pretty well away from critical parts
and the airflow through the set should tend to keep the oscillator coil
can -- containing the coil and two of the most important fixed
capacitors -- near room temperature.
More detail: The audio output tube mounting will be on a plate
slightly below the chassis with the tubes projecting through
clearance holes in the chassis. So the audio stage (most likely 2
6AQ5's) will suck air out of the chassis. The oscillator and mixer
tubes are mounted on 1/4" spacers above the chassis so the pins
project down through -- they too will draw air up and out, cooling their
wiring (the main source of heat reaching stuff connected to the
oscillator tube socket) at the same time. With the bottom covered,
the only significant inlet is around the coils -- about a 3/32" gap on all
sides. The tuning cap frame is heat sunk to the front panel and I'd
bet that's a pretty stable device in any case, what with glass
insulators, spring mounting, and fairly wide spaces to the frame.
The worst thermal design glitch I ever saw was National's NCX-5
transceiver, with a wonderfully intricate and expensive tuning cap
(bronze gears yet!) and an elaborate compensation scheme -- but the
oscillator mounted in a big hole at the front of the chassis, the
chassis was typically tilted up by longer feet at the front of the set,
and there were three sizable power resistors *under the chassis*.
They put maybe $100 on the cost of the set with that oscillator
design and then used it for a chimney for under-chassis heat. It's
not hard to see why National fell out of the ranks of ham gear
manufacturers.
Walt
KJ4KV