[TheForge] Other thoughts on: oil/wax finish, blackened

martin jowers maj1409 at yahoo.com
Mon Oct 25 11:41:27 EDT 2010






All
I agree about the "boiled" linseed oil that is found at most big box and 
hardware stores should not be used in food application surfaces. This is because 
the manufacturs added heavy metals that act as driers to speed the curing 
process. However it is not necessary to use raw inseed oil either. Boiled 
linseed oil that is made from pure ingredients without the heavy metal driers 
added is available that can be used in food surface applications. It does take 
awhile for this material to cure, but I believe it is worth it. One company that 
I know that makes this kind of product is Tried and True Finishes. Their website 
is http://www.triedandtruewoodfinish.com/. Check it out and read their page 
under enviromental standards.

Martin Jowers

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Message: 8
Date: Sun, 24 Oct 2010 18:24:34 -0400
From: Cheryl Brimson <cbrimson at me.com>
Subject: Re: [TheForge] Other thoughts on: oil/wax finish, blackened
    steel
To: Blacksmithing List Sponsored by ABANA <theforge at mailman.qth.net>
Message-ID: <088818D2-82AB-4A10-AD39-FF1FDE9F3A56 at me.com>
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Bruce:

I agree that you would not want to use linseed oil on anything that will come 
into contact with food, but it does make for an easy to use renewable finish, if 
it wears off.  If being food safe is the main criteria for finishing the piece I 
use either the olive oil from the kitchen that I cook with, or bowl turner's 
wax, which is primarily beeswax blended with paraffin. I keep a tub of it around 
for treating the wood bowls we have and the cutting boards.  If you want to be 
picky about it, I would argue that using metal scale as a component of your 
finish for something that will come into contact with foods not a really great 
idea either.  Low carbon A36 steel used for most general smithing contains not 
only iron, but trace amounts of carbon, manganese, silicon and phosphorous in 
the form of oxygen free copper.  Other alloys contain chromium, nickel, 
tungsten, vanadium and other heavy metals.  Like most blacksmiths today, I rely 
by both examples of other smiths and by research
  into current and past practices.  In my experience, you use the process that 
suits what you want to achieve, and don't  try and use what is not appropriate 
for the particular job at hand.  A lot of patination processes  do use 
particularly hazardous ingredients (arsenic, copper sulfate, chromium oxide, 
sulfuric acid, just to mention a few) and you have to be extremely careful when 
using them or you can injure your health irreparably.  They do have their place 
however, as a means of obtaining a particular look, and should not be ignored.  


I personally do not forge much in the way of food related metal items.  Most of 
what I make falls under the heading of small artistic items or tools.  A lot of 
what I finish has to be treated so that it will not rust readily and what I have 
been making  for outside applications gets treated with Permatex 79DA Rust 
Treatment, which contains phosphoric acid.  I use a wire brush and then give the 
metal three coats while it is still warm off the forge.  I let the warm (several 
hundred degrees) steel bake the first coat into the metal and when it dries, and 
place it off to the side on the forge table to keep it warm (not hot) and then 
give it two more coats.  If it is necessary for the steel patina to show, I then 
spray it with a clear acrylic sealer.  If it is going to be left outside, I give 
it a couple of coats of a good satin finish black enamel.

Regards,
John





On Oct 24, 2010, at 8:40 AM, Bruce Freeman wrote:

> As noted in above replies, Japan drier does contain metals, possibly
> including cobalt.  See the Wikipedia article or MSDS sheet (for a
> particular product) for details.  I cannot comment on Brimson's
> assertions about the degree of hazard these metals pose, as I am a
> chemist, not a toxicologist, but, it is a given that one does not use
> "boiled linseed oil" (containing Japan-type driers) on food-contact
> articles.
> 
> In the latter regard, let me repeat what I've said many times on this
> forum:  Linseed oil is not a whit better (and it is a LOT more
> expensive) than any other polyunsaturated oil when it comes to HOT
> finishing an iron article.  Develop the scale on your piece by heating
> to red and cooling to black.  Apply polyunsaturated (cooking or salad)
> oil when the iron is hot enough to smoke the oil a little, but not a
> lot.  Or, apply a thin coating of the oil to cold, black iron, and
> bake at 350*F-400*F for an hour.  A very  nice, shiny black finish
> results.  This is exactly the procedure used for "seasoning" cast iron
> cookware.  It provides some protection from rusting, but will not last
> long outdoors.  What it is, really, is a dark brown dried oil over a
> black scale.  If you put an oil coat on shiny steel, it will look dark
> brown (which usually is not what you want).
> 
> So, what I proposed in an earlier post is an experiment I've yet to
> try myself:  Add firescale as pigment to the oil and apply it hot.
> Carbon black would work for sure as such a pigment, and is suitable
> for stove blacking (which is mostly carbon black of one sort or
> another), but might leave an undesirable "marking" surface to some
> objects.  Fire scale is MUCH harder and less likely to mark.  But this
> idea is yet untested.
> 
> By the way, I consider the key ingredients of stove blacking to be
> pigment (carbon) and vehicle (oil).  Turpentine is to thin the mix,
> and is irrelevant and undesirable if it is to be applied hot.  Waxes
> might provide a harder surface, or a shinier one, but I doubt it --
> the baked oil is fairly impervious and quite shiny.  Think "dried oil
> paint" to get the image.
> 
> And as long as it is understood that polyunsaturated oil must be baked
> to set properly, then there's no need at all for Japan drier in the
> mix.
> 
> Another aside -- Carbon compounds themselves can be quite toxic, and
> "carbon" from unknown sources may contain oxygen and nitrogen in its
> chemical constituents (to say nothing of outright contaminants) that
> increase the likelihood of toxicity.  Pure graphitic carbon is safe
> because your body would never absorb it, but a black compound could
> contain anything and probably does.  (Lampblack, for example, is a
> suspect carcinogen.)  If you really wanted to assure the safety of an
> unknown carbon black material, you'd have to take some considerable
> trouble with it.
> 
> Activated (baked) charcoal is probably the safest by far, as its
> origin is known and the activation process drives off most of the
> small molecules.  (Activated charcoal is sold at the drug store as an
> antiflatulent, and is often used to absorb other ingested poisons.)
> Activated charcoal is the only "black" I would suggest you ever add to
> anything that will be in contact with food.  There may be other safe
> "blacks", but I don't know them.  All this worry is probably
> excessive, but since the potential toxins are so easy to avoid, you
> might as well know about them.
> 
> On Sun, Oct 24, 2010 at 12:05 AM, Cheryl Brimson <cbrimson at me.com> wrote:
>> If you have any questions about toxicity, do what I've done for years, check 
>>the manufacturer's MSDS sheet.  All products, especially manufactured chemicals, 
>>have to be able to show what active ingredients and physical/physiological 
>>characteristics they possess.  I looked up the MSDS for Dynamic Mfg.'s Japan 
>>Dryer and Boiled Linseed Oil, and you have more toxic products in either spray 
>>paint/polyeurethane varnish or paint remover.  I have known a few people who 
>>suffered from acute sensitivity to cobalt from grinding carbide tool components 
>>in progressive dies, but that degree of sensitivity is rare.  The fumes from 
>>using arc welding rod or the scale you wire brush off forged steel is probably 
>>more harmful; as is the dust from the coal or coke used to forge with.  The key 
>>is to use a mask to contain the dust and to have adequate ventilation. Use 
>>gloves to protect your skin from contact dermatitis and you are probably fine.  
>>FYI dryers or accelerants for oil based finish pro
duc
>>  ts generally do not contain "solids" but are "thinners" such as gum turpentine 
>>or isopropyl (denatured) alcohol.  All of which is fine, unless you are going to 
>>try to drink the stuff.  Keep a bottle of Scotch or Captain Morgan on hand  for 
>>that.
>> 
>> 
>> 
>> 
>> On  Oct 23, 2010, at 10:20 PM, Mike Spencer wrote:
>> 
>>> 
>>>> ...I've been warned that the dryers in "boiled linseed oil" and
>>>> japan dryers are capable of giving you heavy metals poisoning...
>>> 
>>> I think (but can't immediately confirm) that "Japan drier" has become
>>> a generic term for several kids of drier.  Cobalt is used in several
>>> brands of driers.  In addition I've seen an allegation that "boiled"
>>> linseed oil contains "arsenic, beryllium, chromium, cadmium and
>>> nickel" as drier constituents.  Bleee.
>>> 
>>> Years ago, a smith here called the makers of a brand of boiled linseed
>>> oil sold here and asked about using it on food prep utensils.  The
>>> company rep emphatically urged him not to do that, but to use "raw"
>>> linseed oil. The rep confirmed that "boiled" isn't boiled but has
>>> driers added.
>>> 
>>> So I just stay away from "boiled" linseed.  For a railing or exterior
>>> paint it's probably fine but why mess around?
>>> 
>>> - Mike
>>> 
>>> --
>>> Michael Spencer                  Nova Scotia, Canada      .~.
>>>                                                          /V\
>>> mspencer at tallships.ca                                    /( )\
>>> http://home.tallships.ca/mspencer/                        ^^-^^
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> 
> 
> 
> -- 
> Bruce
> NJ
> ______________________________________________________________
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