[TheForge] marketing
Cindy and James
jallcorn at suddenlink.net
Mon May 19 09:08:32 EDT 2008
It depends on who (whom ??) you choose to market to. Bill Epps is
often quoted, "If it sells for $25 or less and looks good in a double
wide..." There is nothing wrong with that market if that is what you
choose. I have given up most small items and basic starting price for
ANYTHING is $1000 and it goes up fast from there. It is all about how
and to whom you market yourself, the quality of work that you can do
as well as the scale or size of work you are capable of turning out..
Lots of guys and gals go to festivals and whatnot, do demos, sell
little stuff and occasionally something large dollar-wise. It is a
weekend hobby for them and interesting for the walkers-around at the
event to see. Perfectly legitimate.
But I tried that and got the grief Andy talks about below. If I
priced something at $50, they wanted $30. So I quit doing demos and
quit making things specifically to sell in my shop, but I do have an
open house 2 or 3 times a year for the public to come in and browse
around (photos of work done and works in progress, and there are
always experiments on how to do this or that that accumulate), and I
tell them now that I am a commission only shop, and my price range as
stated above if they ask. Sometimes they have to "think about it",
which they should if money is an object with them. Buying something
expensive should not be an impulse buy for people without unlimited
funds. But there are people who have "unlimited funds", and we (my
wife and I) have chosen to target that market. It takes a while to
work into, and we have to sometimes work with 3rd parties and pay them
a commission or finders fee, but usually they get their money from the
client in other ways and the client is happy that they provided
another source for original artwork (ironwork in this case) that was
not originally known to them, i.e. another option. If we do a good
job, that person who referred us also gets a feather in their cap
because they "found us".
Another thing, most people "want something" but very few know "what"
they want when it comes to art or design. If you can incorporate a
designer (female artist with a flair for design) into your business,
your head will start to spin!
Here's something else to think about. If someone is building a new
home in an exclusive area, chances are the home will cost $400 to who
knows what per square foot. Do the math. A railing or set of light
fixtures, window panels, wine doors, etc. costing them $5000 to
$50,000 each or in total may be significant but it is minor at the
same time for homes costing from $1.5 to $10 million. And if done
right it sets the home apart from the next big home down the street.
People who can afford a multi-million dollar home want to be set
apart. In the Dallas-Ft Worth area there are roughly 70,000
households with net worth exceeding well over $1,000,000 and that
number will grow by 45,000 in the next 5 years. (Source of info, D
Magazine.) If 10 percent of those 115,000 wealthy households decided
to spend $25,000 on some sort of ironwork or other type of art, that
would be 11,500 commissions or purchases X $25,000 = $287 Million in
gross sales.
I'm not saying that will happen or that I will be a part of that, but
my point is that the MARKET is there! And in every major city and
every small town, there are folks with money. I would rather target
10 clients at $1000 each than try to sell 500 clients something for
$20 each.
Sort of long, but that's how I view the situation. Everybody has
their version.
James Allcorn
Paris, TX
Andy wrote:
And this goes right to the point I've been making for the past 25
years: people love and want art, but they do not want to pay for it.
Art is not really essential in any immediate sense. If you do not
have art you will not die the way you would if you didn't have water
or food. Art is just one of those back burner things in most peoples'
lives. We live in a time when depictions of Elvis on black velvet are
at the budget limits of many folks. Even better-to-do folks often
have to choose between a decent piece of art and the next installment
in their child's $150K college edumacation. When pitted against these
more basic and more immediate needs, the art will almost always lose
out.
Then there are those with the mindset that an artist's time is not
worth that much - after all, it's ONLY art. Add to that the
tremendous general ignorance of people that has come about as a result
of the technologies that have brought us so many mass produced
miracles. For the most part, people have not the first clue of the
difficulties in manufacturing art. Honest to God, many seem to think
Jed Clampett pulls Picasos out of his ass every Wednesday morning at
10:00 as if he were a laying hen.
Trying to sell fine art to a world that is ignorant of such things is
like trying to teach a pig to sing. I'm sure you know the rest of
that story.
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