[R-390] Dry Transfer Decals Better News

[Les Locklear]

Howard Mills did silk screens as did Rick Mish. Chuck Rippel did re-paints 
and filled the engravings rather nicely.

Les

"How well I remember my first encounter with The Devil's Brew. I happened to 
stumble across a case of bourbon--and went right on stumbling for several 
days thereafter."

W. C. Fields (1880-1946)



-----Original Message----- 
From: rbethman
Sent: Friday, March 22, 2013 12:42 PM
To: r-390 at mailman.qth.net
Subject: Re: [R-390] Dry Transfer Decals Better News

I believe that Phil (?) Mills has the silkscreen master.

There was a great deal of this done when the Gentleman in Virginia was
doing Johnson radio restorations.

It was Dee Almquist IIRC.

The different methods for doing panels by him was broken up to two
different individuals.

With regard to the dry transfer sets that I have, almost ALL the needed
wording is already in one word, i.e., MEGACYCLES.  I too used to spend
many hours and days over a drawing board.

I still have a couple of K+E LeRoy lettering sets for use with the
various sized pen points.  Don't have much call for that anymore.

There is still a roll of vellum downstairs.  I duplicated a set of plans
for a 1/4 scale PT-17 Stearman a number of years ago.

So there IS a chance that I can get them lined up pretty good.

Bob - N0DGN

On 3/22/2013 1:26 PM, barry williams wrote:
> Lester,
>
> Yes, someone does but I forget who. There were some details about a 
> silkscreen that was shot just for the front panel a few years back. Rick 
> Mish??? It probably was him. I remember that it was a well done screen 
> that looked good when printed according to a few people on the list.
>
>
>> Does anyone have a high quality scan or typeset image of an R-390 and 
>> 390A
>> front panel
>>
>>
>> Lester B Veenstra Lester,
>>
> Sorry Bob, but unless you are really REALLY good, it will look really 
> REALLY bad. These are the pressure sensitive types that you are talking 
> about. The biggest makers used to be Chartpak and Letraset. They are also 
> called dry transfer letters. I used to work as a commercial artist in 
> Atlanta back in the 70's, and we had hundreds of fonts and sizes on hand 
> in file boxes. This was before home computers so everything was done by 
> hand. We had all kinds of primitive methods back then for getting type on 
> to whatever we were selling.
>
> Laying down that small of letter, one by one, aligned just right, etc will 
> be impossible. Alignment and spacing will drive you nuts. Then, things 
> begin to look different after you stand back and look at it from different 
> points. I used to work hunched over art tables all day long doing that and 
> I wouldn't try it on a panel myself. However, if you want to prove me 
> wrong, do a search and you will find ample supply of sheets that you will 
> need.
>
> By the way, these aren't fragile. They last a long time just sitting 
> around. I have a small booklet of electrical symbols and electronic words 
> already laid out on small sheets. I've had it for about 25 years and it 
> has been tossed in boxes for the attics or basements along the years. 
> Still looks fine. No need for the worry beads.
>
>
> the other other Barry
>
> p.s. if it were me, I would make a rubbing of a front panel. That's laying 
> a sheet of paper over the panel and rubbing with graphite to get the 
> outlines of the letter spacing, alignment, placement, etc. Maybe a good 
> computer guy could scan that sheet and send a cleaned up file out to a 
> vinyl cutter that would do a whole sheet for you. That would look second 
> best to a silkscreened job. Just transfer the whole sheet in one piece.

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