[Elecraft] Diversity Reception
Jim Brown
jim at audiosystemsgroup.com
Mon Aug 3 17:06:30 EDT 2015
On Mon,8/3/2015 1:31 PM, Bob McGraw - K4TAX wrote:
> I tend to agree with Brian.
I do as well. It's important to realize that a large percentage of
fading is the result of signals arriving from multiple paths, resulting
in slightly different travel times from the source. This time difference
results in phase shift directly proportional to the time difference and
to the frequency.
When heard on VHF/UHF, we call this "picket fencing," and the fading is
much more rapid because of the higher frequency/shorter wavelength. On
the much lower bands (AM broadcast, 160M) we call it selective fading,
and the time between peaks and nulls is much greater (proportional to
wavelength differences). Diversity reception for this kind of fading
depends on antennas at different locations -- the time differences, and
thus the phase shifts, will be different at the two locations, so a fade
(strong cancellation) at one location will usually not be a strong
cancellation at the other.
The most critical thing about diversity is that separation, and keeping
the two receivers close enough in frequency so that the ear/brain is not
bothered by the difference in the note.
Another point -- It is generally a bad idea to COMBINE (sum) the outputs
of the two receivers into a single electrical channel. Two reasons.
First, as Bob has noted, the ear/brain is really good at choosing
signals presented to two ears -- that's how we hear directionality, and
it's how stereo works. Indeed, stereo works on the TIME difference of
the sound reaching the two ears. Second, if the travel times to the two
antennas are sufficiently different, the AUDIO signals can be enough
different in phase and equal in amplitude that they cancel in the
electrical channel. When the electrical signals are directed separately
to L and R loudspeakers, there is relatively little cancellation, and
there is none in headphones with one radio per ear.
I've summarized this from the result of decades of experience with sound
systems, an extensive study of phychoacoustics (the science of how
humans hear), as well as from 60 years in ham radio.
73, Jim K9YC
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