[Elecraft] K3 2.7kHz filter DSP FC
Paul Christensen
w9ac at arrl.net
Thu Mar 20 09:57:29 EST 2008
> Billions of people are quite happy with the 300kHz cutoff used by the
> public telephone system (a total of 3.1kHz between 300 and 3.4kHz).
Presumably, you mean 300 Hz, and not 300 kHz.
> The critical frequency for speech communications is the lowest formant
> frequency; it is the resonances in the vocal cavity that convey speech,
> not the fundamental.
You're referring to audio passband in which minimum bandwidth is used as a
function of maximum articulation. Bell Labs and other acoustical
researchers in the late 19th and early 20th centuries found that reasonable
bandwidth for voice communication was in the area you describe. The concept
was further carried on with the advent of HF SSB transmissions in the late
'40s, although AT&T Long Lines was already economizing SSB bandwidth well
before then.
As a practical matter, analog circuits in which crystal filters are used
during SSB generation (e.g., Collins) precluded audio transmission below 300
Hz. But we're not talking about land-line voice circuits here and
technology has marched-on well past the usage of SSB-generation techniques
that rely on crystal filtering for economy. Through DSP, we easily have the
ability to extend low frequency content down well below 300 Hz and a
significant list of other tranceiver manufacturers are accommodating this
demand in the amateur radio community.
> The lowest formant in normal speech (formant 1 for "u") spans about 200 to
> 400Hz, so 250Hz probably is a reasonable compromise; it will include the
> peak and only slightly distort the lower edge.
It may be a compromise, but a considerable amount of voice detail occurs
below 250 Hz, even though it offer little or nothing to intelligibility and
articulation. Using a microphone, a sound card, and FFT software (e.g.,
SpectraPlus) observe the extent of low frequency content of you own voice.
If you believe that relevant energy is limited to 250 Hz, you need to
research this in better detail. We already have reasonably good
articulation in the bandwidth between 300 Hz and ~ 2.8 kHz but little added
bandwidth is required to add nearly two acoustical octaves to the listening
experience.
Incidentally, an argument can be made that to maximize intelligibility, the
upper passband should actually be closer to 3.5 kHz or even 4.0 kHz (see a
graph of the now-classic Fletcher-Munson family of loudness curves and
re-determined in later years by modern researchers). Beyond that limit,
diminishing returns on intelligibility occur. The reason the ear is most
sensitive in this area is that the ear canal forms a closed pipe against the
tympanic membrane. The resulting fundamental frequency and harmonics can
then be calculated with precision by the width of the ear canal and its
length. Of further interest is that maximum energy in the human voice is
also matched-up against the curves. So, either millions of years of
evolution or God made this association possible. Take your pick.
The key point is that compromises must be made againt the current
state-of-the-art. It is my belief that the benefit of adding a Rx/Tx range
down to ~ 70 Hz greatly outweighs the relatively little extra bandwidth
needed (less than 200 Hz of B/W) to make a profound difference in the
listening experience.
Paul, W9AC
More information about the Elecraft
mailing list