[CW] Article in 73 Magazine by Bob Shrader, W6BNB (SK) about Keys!

Richard Knoppow 1oldlens1 at ix.netcom.com
Mon Sep 2 00:57:03 EDT 2019


    Where its comfortable. Might have to move it around if you 
get fatigued sending. I don't think there is an "approved" 
position as with typing. There are military training manuals that 
show where the key should be. Take this with quite a bit of salt.

On 9/1/2019 6:55 PM, Bill Lanahan wrote:
> Before I start resurrecting my cw sending after a very long 
> hiatus, and causing a muscle issue or just a bad habit I’m 
> wondering about position of bug or keyed paddle to your body. In 
> my ancient and limited experience, it seemed the key or bug was 
> on the desk in sort of the “shake hands position” but a while 
> back someplace I saw s YouTube of youngsters in Belarus(?) with 
> the paddle in front of their abdomen, and with the paddle arm 
> almost parallel to the “shake hands” position - their speed was 
> significant. Do you have any recommendations ?  BTW if I place my 
> left hand on my right deltoid I notice significant tension; as I 
> rotate to the parallel position it seems a lot less.
> 
> Any input greatly appreciated
> 
> 73
> Bill
> 
> On Sun, Sep 1, 2019 at 4:13 PM Chris R. NW6V <chrisrut7 at gmail.com 
> <mailto:chrisrut7 at gmail.com>> wrote:
> 
>     Hi Richard.
> 
>     You said: "I know the "vibrating" method and could do it when
>     I was younger. It does use the forearm muscles. I found it
>     very fatiguing."
> 
>     If you found it too fatiguing, we may be speaking of
>     different things. But words are tough, so to - hopefully -
>     clarify:
> 
>     Forearm muscles come in two varieties, flexors and extensors,
>     and they are in three primary groups based on the joint:
>     elbow, wrist, and fingers.
> 
>     My technique depends heavily on the muscles which flex and
>     extend the elbow; specifically the various "radialis" muscles
>     counterbalanced by the "triceps" muscles on the back of the
>     upper arm.
> 
>     The flexors and extensors of the wrist and fingers hold the
>     wrist and finger joints in relaxed tension as a "springy arm"
>     attached to that upper arm lever. They don't do all that much
>     work in the method I'm describing and don't tire rapidly. The
>     fingers are never deliberately "flexed" as in typing.
>     image.png
>     **//___^
>     That forearm, the "springy lever" is almost like the lever
>     arm of a bug. The upper arm makes the beat, and the forearm
>     taps out (vibrates) the tune - modulated by complex flexing
>     of the wrist and fingers. The muscles are more involved in
>     returning the wrist and fingers to their neutral positions,
>     than moving them to flexed positions.
> 
>     As another detail: I use what I call "modified American"
>     technique - my elbow is on the arm of an office chair, but
>     only the fingers touch the key. No part of the forearm ever
>     rests on the desk; the keys are close to the edge, European
>     style, and about level with arm of the chair. The contact gap
>     is very small - about .0015" on my Frattini.
>     ////////
>     As a point of interest regarding technique: after winning
>     that radiosport contest in 2016 at 30+, I got to wondering
>     how I might get to 35 - or better yet - 36... the notion of a
>     Guinness Book world record was appealing. So in the quest for
>     more speed I decided to experiment - and tried something
>     described in an old army training film available on-line:
>     holding the wrist horizontal, so you can balance a quarter on
>     the back of your hand (my technique holds the wrist closer to
>     a 45 degree angle, in order to better engage those radialis
>     muscles - similar to holding your arm to shake hands). Long
>     story short, I tried doing some high-speed work with a flat
>     wrist - and within 15 minutes pulled the radialis muscle
>     where it inserts into the humorous! Doh!
> 
>     That was three years ago, and it still gets sore if I'm not
>     careful - and I don't care to go much above 25 wpm on a hand
>     key ever since.
> 
>     So much for THAT officially sanctioned suggestion.
>     **//___^
>     Ironically, that injury is what got me using bugs more - and
>     I got hooked on rag-chewing with a bug :-)
> 
>     Surprisingly, I see a lot of similarities between my hand key
>     and bug techniques. On the bug, it's a combination of
>     wrist-roll and finger flexing, sometimes leaning more heavily
>     toward one than the other. But in all cases the motion is
>     fairly constrained - my hand and fingers are not moving in
>     any exaggerated way, or flying all over the place. The
>     hand-speed developed on the SK directly translates hand-speed
>     on the bug, which means crisper code and fewer "scratchy
>     dits" or bongy" dahs due to contact bounce. But it also means
>     the forces are pretty high: my bugs need to be very non-slip
>     or they'll be all over the place.
> 
>     I really do intend to make videos of this one of these days.
> 
>     73 Chris NW6V
> 
>     On Sun, Sep 1, 2019 at 10:05 AM Richard Knoppow
>     <1oldlens1 at ix.netcom.com <mailto:1oldlens1 at ix.netcom.com>> wrote:
> 
>               This is a very interesting post. I know the
>         "vibrating"
>         method and could do it when I was younger. It does use the
>         forearm muscles. I found it very fatiguing. I also think the
>         adjustment of the key, i.e. gap and tension, can make a huge
>         difference.
>               I am curious about the difference in muscle use
>         between
>         sending on a straight key, typing (on a mechanical
>         machine) and
>         playing the piano. Typing is done almost entirely with the
>         fingers. The finger muscles are in the forearm but seem
>         to be
>         different from those used to operate the key. Playing the
>         piano
>         seems to use a much greater variety of muscles. My carpal
>         tunnel
>         problems were mostly from typing. On any kind of keyboard
>         but
>         perhaps mostly from the computer. That may be because I
>         use the
>         computer keyboard much more than a mechanical typewriter.
>         Before
>         my surgery my left hand would become so painful I had to
>         stop. My
>         right hand has never been this bad but I am close to
>         getting it
>         done too.
>              There are at least two techniques for using a bug:
>         one uses
>         mostly the fingers and the other a wrist motion with little
>         finger movement. I mostly use the second.
> 
>         On 9/1/2019 7:34 AM, Chris R. NW6V wrote:
>          > Howdy there DR.
>          >
>          > Thanks a bunch for putting up W6BNB's article. It
>         contains a
>          > wealth of information.
>          >
>          > One thing however: his description of how to send with
>         a straight
>          > key is VERY different from my own technique - and in
>         my opinion,
>          > may be at the root of many of the "glass arm" reports
>         that drive
>          > people away from hand keys, and cause "glass arm."
>          >
>          > Having been clocked at 30+ WPM on a straight key
>         (plain text
>          > equivalent) in a radiosport contest (which I won) I am
>         one of
>          > those ops he speaks of who can "vibrate" their fingers
>         at high
>          > speeds. But fact is, the fingers aren't what's doing the
>          > vibrating! At least the muscles that control the
>         fingers - the
>          > forearm muscles - aren't what's causing the vibrating
>         - they hold
>          > the wrist and fingers in dynamic tension - like the
>         mainspring of
>          > a bug holds the contact spring - the fingers thus
>         "vibrate" when
>          > hit with the impetus of the muscles of the upper arm -
>         the biceps
>          > and triceps!
>          >
>          > There is NO thought whatsoever of "moving the
>         fingers." It's more
>          > like cracking a whip composed of upper arm, forearm,
>         wrist and
>          > hand - with fingers at the end - than shuffling
>         through a stack
>          > of file folders with one's finger tips. And my wrist
>         motion is
>          > the opposite of what he describes - my wrist tends to
>         be moving
>          > down on contact closures - not up.
>          >
>          > I admit the possibility that my technique may be
>         entirely unique
>          > and entirely my own, and "right" only for me. But
>         again, so many
>          > people find the SK a challenge, I have long suspected
>         they are
>          > being taught ergonomically incorrect techniques (I have a
>          > professional background in ergonomics).
>          >
>          > Perhaps I'll have the time and resources to make vides
>         about
>          > technique some day. I'm hoping to do a seminar on
>         SK/Bug use and
>          > adjustment at next year's Seapac conference.
>          >
>          > 73 Chris NW6V
> 
> 
>         -- 
>         Richard Knoppow
>         1oldlens1 at ix.netcom.com <mailto:1oldlens1 at ix.netcom.com>
>         WB6KBL
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-- 
Richard Knoppow
1oldlens1 at ix.netcom.com
WB6KBL


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