[CW] DSP "Smart" Audio Detection-It's about Audio Detection, Stupid - LONG

Ed Tanton n4xy at earthlink.net
Sun Jan 1 12:44:22 EST 2006


I was re-examining Chuck Rippel (WA4HHG)'s website and ran into this. 
It made such an impression that I had to share it. It's terrific!!!

DSP "Smart" Audio Detection


Copyright 1997, 1998, 1999, 2000 by R. Charles Rippel



Manufacturers of radio receiving equipment are increasing relying on 
Digital Signal Processing (DSP) for filtering and 
detection.demodulation.  Unfortunately, the entire spectrum of 
benefits derived from this 21st century technology have not been 
fully explained by the manufacturers.  Below is a reprint of my 
treatise entitled: It's about Audio Detection, Stupid," which 
appeared on the Premium Receiver mailing list and in the SWBC weekly, 
NU on the practical benefits of DSP ``smart`` audio detection.  There 
follows a response from Her Hans J. Knieser of KD Elektronik GmbH 
builders of the excellent KWZ-30 receiver.


It's about Audio Detection, Stupid !


Several noted SWBC DX'ers obtained Collins HF-2050 military rx's some 
months ago and have been discussing their performance.  Some initial 
background: The HF-2050 was the first production DSP receiver offered 
with about 1,100 manufactured during the late 80's until about 
1991.  They ware largely employed by the Canadian military and the 
reported cost of the receiver was in the $30K (CDN?) range.  I think 
its safe to say that using this receiver has changed the way the 
owners think about receiver design.  Speaking for myself, I can share 
that using the HF-2050 has totally caused me to re-evaluate the 
attributes I view as important in receiver design.

While I have yet to actually test mine, Dave Clark was kind enough to 
forward a copy of the original Collins specs.   The HF-2050 is not 
particularly sensitive at rated 1.25uv "soft" for 10db S/N + N.  One 
might also expect reasonable but only average performance from the 
filtering line up of 6.0 & 3.2kc for AM, 2.8kc for SSB and 1.0 and 
.3kc on CW.  3rd order is reported at -25dBm and IMD is -40dBm.  To 
consider specs alone would logically support a conclusion of "nice, 
average radio; nothing really special.  New Drakes and AOR's are 
better for a bit less money than a used HF-2050."

As soon as 3 months ago, I would have enthusiastically supported such 
a conclusion but using the HF-2050 has caused me to re-think my 
position on receiver specs and their ability to reasonably predict 
performance outcome. On a given listening situation, I can hear more 
intelligibility, more audio detail, more copyable audio from the 
HF-2050 than anything I use save for maybe the 
HF-1000A.  Additionally, Dave Clark, Tony Ward and John Bryant have 
all expressed their surprise at the ability of the HF-2050 to recover audio.

The question is: How is this possible?

While I don't have a specific answer, I can offer some observations 
and some initial discussion points that might lead to some 
"educated," reasonable speculation.

That short answer is Collins must not be not using a diode detector 
for AM nor a product detector for SSB.  The detection functions must 
be taking place in the DSP realm directed by very sophisticated 
programming that was optimized for SSB, CW and to a lesser degree, 
AM.  Clearly, the receiver recovers audio better in the SSB mode 
although the advantage is not alone supplied by applying ECSS techniques.

My initial feelings are that its the HF-2050's DSP detection process 
rather than its filtering which is responsible for the clear 
advantage in audio recovery.  Commonly available receivers today 
apply the output of a highly amplified and very quiet RF stage to an 
IF stage where mode specific filtering and further amplification take 
place.  This output is directed to a diode detector for AM or in the 
case of SSB, a product detector.  As we are all aware, of late, AM 
synchronous detectors have become popular by reducing fading 
distortion in AM signals.  Some sync detectors, such as that found in 
the Drake R8B and Sony ICF-2010 are also sideband selectable allowing 
additional isolation from QRM up or down frequency from the target 
station.  This detected audio is then amplified by a common audio amplifier.

There are several "flavors"of  DSP receivers represented by 
application and implementation of digital technology.  Effectively 
applying DSP in the receiver IF i requires significant processing 
power and speed.  At today level of technology, these requirements 
translate to the consumer as significant cost items.   Some receivers 
simply redefine "what constitutes an IF."  Then,  DSP is applied at 
the audio level then label this new ``stage" as an additional 
IF.  That would be like adding a Timewave DSP to your Drake R8x and 
then calling it Triple Conversion.  Where there is technically some 
truth in such a label and a performance advantage, such an 
explanation certainly deviates from accepted theory.

Receivers such as the Watkins-Johnson HF-1000 and 1000A, the K & D 
KWZ-30 and Kenwood TS-870 have successfully applied DSP at the IF 
level for not only filtering, but also detection.   With the possible 
exception of JRC's recent attempt at DSP, most radios which employ 
this technology have received wide acceptance.

Having used the HF-1000A and now Collins HF-2050 under challenging 
conditions, I would suggest that the DSP programming is actually 
capable enhancing desired information while ignoring unwanted 
information in the actual detection process.  The selection of 
"desired information" goes much farther than implying the receiver 
suppresses off frequency signals,  a task delegated to IF filters in 
conventional designs.  I am theorizing that DSP technology actually 
goes a step further and is capable of discerning between wanted and 
unwanted information actually present on the desired frequency of reception.

To get a glimpse of why the Collins 2050, KWZ-30 or WJ HF-1000 might 
accomplish this, a visit to KWZ's WWW page  describing their 
detection technique might be in order.  Their detection technology is 
described at:

http://www.kd-elektronik.com/index_e.html

Don't consider this information to grasp the finer design details of 
its specific technical application.  Rather, consider it as a glimpse 
of how DSP technology might make what would arguably be presented an 
a quantum leap forward by an order of magnitude in delivering a new 
level of performance to be used by radio receivers for decoding an 
analogue signal or broadcast.

In closing, consider the possible benefits from the application 
of  this technology when it is employed beyond "simple" IF 
filtering.  "Smart" digital detection schemes would add what could be 
considered as an approximate equivalent of additional, filtering IF 
stages but applied instead to benefit detection and audio 
recovery.  If enhanced audio recovery from "smart" detection schemes 
is a design intent of the builders of this equipment, my only 
criticism is that they have not communicated the application of this 
technology in ways that we, the consumers can interpret and identify 
its benefits.


Follow up from Hans-J. Kneisner -  KD Elektronik GmbH

 From your text I understand that you confirm that DSP-receivers 
sound different from analog receivers and that the readability of 
weak signals is better. But you cannot quite pinpoint the reason for 
the better quality. Maybe I can. This is going to be a somewhat 
longer explanation and if I tell you something that you already know, 
excuse me for that. I am sending you this for the preparation of the 
demonstration and I want you to tell the people the right things.

Comparison of DSP-Receivers and analog (conventional) receivers:

There are two reasons for the better audio- or signal-quality of the 
DSP-receivers: one is the properties of the bandpass-filters and the 
second is the properties of the demodulator or down-converter.

1. Bandpass filters

The bandpass-filters used in analog receivers are either crystal or 
mechanical filters. Both filters suffer from phase distortion, the 
more the steeper the skirts are. This means that the delay time of 
different frequencies in the passband is not the same. The time or 
phase relationship of the frequency components of a signal is lost or 
at least distorted. This can easily be observed with digital signals 
like fast CW or RTTY. The pulses are severely rounded or even can get 
pointy. Or this can be seen by receiving fax pictures. Due to the 
phase distortion the vertical lines get fuzzy of are doubled. This 
does happen with audio signals too, but the human ear cannot detect 
the phase error, but the sound and readability are affected. There 
are very expensive receivers, e.g. from Rohde u. Schwarz, which have 
quite elaborate phase compensation networks to compensate the phase 
distortion, but these receivers are very rare.

The bandpass filters in the DSP-receivers are of the type FIR. These 
filters are strictly phase-linear, which means that the delay time 
for all frequencies in the passband is the same. Often the expression 
phase-linear is used, although many people do not know what it means. 
It means that the phase increases in a linear function with the 
frequency. If the factor is correct, the delay time is constant. That 
the phase-linearity of the filters is mathematically exact linear is 
very important for the signal quality. I have always stressed this in 
my brochures and publications, but the reviewers do not pay attention 
or they do not know why this is so important. You can reread the 
review from Radio Netherland (there is a link in our homepage). They 
too write a lot about the special sound and do not know the reason. 
Some reviewers even write that the sound is somewhat artificial. The 
contrary is correct. The sound is more natural with a DSP-receiver 
than with an analog receiver, but they have never heard it before. 
The absence of phase distortion can again best be seen by receiving 
digital signals and looking at the signals on a scope or by looking 
at fax pictures. And the digital filters do not ring. You can receive 
fast CW or RTTY with a very narrow filter, which is not possible with 
analog filters. There is no analog counterpart for the 
FIR-filters.They can not be built in the analog technology. Thus 
these filters and their performance is really something new in the 
art of communication.

It is important too, that the filters in the front-end of the 
receiver or the first i.f. do not cause phase distortions. Therefore 
are we using a pretty wide crystal filter in the 1. i.f. of 15 kHz bandwidth.

2. Demodulators

All demodulators are mixers or multipliers. The frequency conversion 
is mathematically a multiplication. The simple diode demodulator for 
AM uses the nonlinearity for mixing the carrier with the sidebands. 
This is the wanted signal. But the sideband frequencies multiply with 
each other too. Every frequency in one sideband generates a signal 
with all other frequencies which are present in the passband. This 
leads to an almost unlimited number of unwanted signals. These are 
smaller because the sideband frequencies are smaller than the 
carrier, but they are there. Therefore the diode demodulator has a 
distortion factor of 3 to 5 %. or more. The situation is a bit better 
with sync detectors and product detectors (product = multiplication), 
because the added carrier is much stronger than the signal and so the 
spurious signals are relatively smaller. Basically there is no 
difference. It can not be prevented, that the signal components 
multiply with each other.

This is completely different with the digital multiplication. As said 
before, any frequency conversion is a multiplication of two 
frequencies. If two frequencies are multiplied in the digital 
representation, only this is performed and nothing else. A 
multiplication of the signal components does not happen. So when the 
signal is down-converted in the DSP, the resulting signal is as clean 
as it was. There are of course different algorithms for the 
demodulation of AM and SSB or other signals. But common for all is 
that they do not cause a distortion like the diode demodulator or 
product-detector. Basically the demodulator algorithms are free of 
distortion, except maybe the resolution. In a 16-bit system the 
resolution is 65,000 and in a 32-bit system it is 4.3 billion bits or 
steps. In the KWZ 30 we use double precision math, which is 32-bit. 
So the resolution error is not a big deal. It can be said that the 
digital down-conversion and the demodulation does not cause a 
detectable distortion.

The properties of both the filters and the 
down-converters/demodulators were unknown before and contribute to 
the special and exceptional signal quality of the DSP-receivers. A 
real DSP-receiver is something completely different than a 
conventional receiver with an added DSP filter.  I think that this is 
enough about this matter and I hope that it gives you the information 
that you have missed to understand the differences between a 
DSP-receiver and an analog receiver. If you need more information 
about this or have any questions, please let me know.

72/73 Ed Tanton N4XY <n4xy at earthlink.net>
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