[ARC5] WW II Aircraft factory pictures

J. Forster jfor at quikus.com
Sun Feb 17 12:52:31 EST 2013


My understanding is the rise of the EPA was a big part of the issue. They
all but killed E-4 and E-6. Probably Kodachrome also.

I do not think that 'going digital' will eventually be seen as a 'good
thing'. You can still get something from even a faded picture, but not
from an ureadable HD or Flash card..

-John

====================





>
> ----- Original Message -----
> From: "J. Forster" <jfor at quikus.com>
> To: "Christopher Bowne" <aj1g at sbcglobal.net>
> Cc: <arc5 at mailman.qth.net>; "Clare Owens"
> <clare.owens at gmail.com>
> Sent: Sunday, February 17, 2013 8:57 AM
> Subject: Re: [ARC5] WW II Aircraft factory pictures
>
>
>> That's why the demise of Kodachrome was so lamented. It
>> was a far more
>> stable process than the Kodacolor (C-41) process, used in
>> the 'drug store'
>> labs for 30 odd years.
>>
>> -John
>
>      There was  more: Partly it was the color rendition of
> Kodachrome and partly the nearly grainless images.
>      All multiple layer color films are very complex but
> Kodacrome got around a problem by putting some of the
> complexity into the processing steps.  Kodacrhome requires
> four development steps while color negative film requires
> only one and modern color reversal film requires two.  At
> about the same time as Kodachrome was released to the public
> as 16mm motion picture film (1935) AGFA in Germany was able
> to produce a "modern" type of color film. However it was
> never made available to the American market.  Quite a lot of
> this film has survived. This is all rather off topic here
> but those interested in the history of color films can find
> quite a lot on the web.
>      The demise of Kodachrome was only partly due to the
> general swing from chemical photography to digital or
> electronic photography; Kodak had been trying to kill it off
> for years due to its difficult processing.  Photographers
> who shoot stock photos particularly miss it due to its
> excellent archival properties.
>      There was a difference in the method AGFA and Kodak
> used in "sequestering" the dye intermediates used in
> Agfacolor and Kodacolor (not needed in Kodachrome). Both
> methods were used for decades but it appears that the AGFA
> method is the one currently used.
>
>
> --
> Richard Knoppow
> Los Angeles
> WB6KBL
> dickburk at ix.netcom.com
>
>




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