[ARC5] US Morse Exam History...Commercial versus mateur (OT)
Richard Knoppow
1oldlens1 at ix.netcom.com
Fri Dec 21 23:39:03 EST 2012
----- Original Message -----
From: "Jim Wiley" <jwiley at gci.net>
To: "David Stinson" <arc5 at ix.netcom.com>
Cc: "ARC-5 List" <arc5 at mailman.qth.net>
Sent: Friday, December 21, 2012 4:53 PM
Subject: Re: [ARC5] US Morse Exam History...Commercial
versus mateur (OT)
>
>
> Not true. If you have an Extra class that was originally
> issued before the advent of 5-WPM code for the Extra, all
> you have to do is show the examiner the license (or a
> copy) showing the original issue date. Since your license
> was originally from 1978, that will do the trick.
>
>
> On a related but slightly different topic, I would be
> interested to find out how many of us on here do happen to
> have either a first or second class telegraph ticket?
> Mine must be one of the newer ones, having received it
> about 2 years ago. My Extra is from 1974, and I was
> originally licensed as a Novice in 1959.
>
>
> I used KPH out of San Francisco for code practice. Their
> nightly recap of the day's news, sent at (I believe) 24
> WPM, made for excellent practice, and because it was the
> day's news, checking for correct copy was pretty easy. .
>
>
> - Jim, KL7CC
>
KPH was also my principle source of code practice. The
press transmissions were made twice a day, in the evening,
first from the east coast stations WCC and WSL and three
hours later from KPH and KFS. Same AP (later UPI) press on
all although the formatting was a little different. KPH
always preceded each item by sending ITEM: and of course the
famous "ditter" when the tape ran out for SP. I also used
to tape record code groups from the Navy and play them at
half speed. There were faster than the press, probably 30
WPM, maybe more. I mostly copied NPG which could always be
heard.
These days if I want practice I have to use W1AW or the
Koch trainer I have in my computer which works from any text
file.
The psycology of Morse is intresting: people who can
read very well sometimes have awful fists and vice-versa.
Also, commercial ops could take traffic on a typewriter
while holding a conversation and have no idea of what they
were typing. I wonder how this works.
--
Richard Knoppow
Los Angeles
WB6KBL
dickburk at ix.netcom.com
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