[AMRadio] Mike Cable Capacitance
Donald Chester
k4kyv at hotmail.com
Thu Jan 15 17:11:18 EST 2004
>A 15 foot cable with 30 pF per foot would present a 450 pF capacitance to
>ground, and this would work with the piezo microphone's effective output
>capacitance to act as a capacitive voltage divider, which would cut the
>mike
>level about in half (-6dB), or about 100% to about 50% modulation, which is
>about what was observed. The effect of this capacitive voltage division
>should be uniform across the audio frequency range, but the load resistance
>causes another effect at the low frequency end.. The total effective
>series
>capacitive reactance would be equal to the effective microphone output
>capacitance and the cable capacitance in parallel, or about 950 pF, so in
>this example the presence of the 15 foot cable would reduce the mike level
>by about 6 dB, and the relative low frequency response with any given load
>resistance would be extended down by about an octave. That can be a
>dramatic response difference if the low frequency cutoff is in the 300Hz
>range.
>
I seem to recall reading, maybe something from Astatic, to the effect that a
reasonable length of shielded cable will have little effect on the
frequency response and output level of a crystal mike as opposed to other
high impedance sources such as resistive networks and high impedance
transformer secondaries.
An interesting alternative with the D-104 is shown in the paperwork they
used to include with the microphone, using a pushpull mic preamp. The cable
is shown to be a shielded pair of wires. Each terminal of the mic element
is connected to one of the wires, and at the amplifier end, each goes to one
grid of a pushpull stage, each of which has its own grid leak resistor of 5
megohms or so to ground. The pair of grid resistors acts as a voltage
divider with the common connection grounded. This puts 180 degree
out-of-phase audio on each of the two grids. The pushpull preamp stage can
be followed by a coupling transformer or R-C coupled to another pushpull
stage. Astatic suggests a 100% pushpull amplifier, from mic preamp to final
audio stage.
This arrangement should be possible with any crystal mic element that has
two ungrounded terminals like the D-104, as opposed to elements with one
side grounded to a shielded metal enclosure.
-k4kyv
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